"Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang)" by Richard Strauss, Royal Concertgebouw Orchestra, Bernard Haitink was released on 2006. The duration of Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Strauss: Also sprach Zarathustra; Ein Heldenleben (Herman Krebbers Edition, Vol. 15)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) by Richard Strauss, Royal Concertgebouw Orchestra, Bernard Haitink having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
5 Piano Pieces, Op. 3, TrV 105: No. 1. Andante | Richard Strauss, Stefan Veselka | B♭ Major | 2 | 6B | 77 BPM | ||
Chopin: Polonaise No. 6 in A-Flat Major, Op. 53 "Heroic" | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 71 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 4 in A-Flat Major: Allegretto | Franz Schubert, Maria João Pires | A♭ Major | 1 | 4B | 166 BPM | ||
Les filles de Cadix | Léo Delibes, Sol Gabetta, Charles Olivieri-Munroe | F♯ Minor | 1 | 11A | 80 BPM | ||
Monti: Csárdás. Largo maestoso - Allegro vivace (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Vittorio Monti, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | D Minor | 2 | 7A | 101 BPM | ||
Le Carnaval des Animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Concertgebouworkest | G Major | 0 | 9B | 86 BPM | ||
Jazz Suite No.2: 8. Finale | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | F Major | 4 | 7B | 112 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Eugene Onegin: Polonaise | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma | G Major | 2 | 9B | 98 BPM |