"Lalande: Premier Caprice ou Caprice de Villers-Cotterets: III. Trio - Augmentation, deuxième air neuf" by Michel Richard Delalande, Jean-François Paillard, Orchestre de chambre Jean-François Paillard was released on August 26, 2022. Lalande: Premier Caprice ou Caprice de Villers-Cotterets: III. Trio - Augmentation, deuxième air neuf is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 161 out of 314 in French Baroque Music: Leclair, Lalande, Couperin, Rameau... by Jean-François Paillard, François Couperin, Jean-Marie Leclair, Jean-Philippe Rameau, Joseph Bodin de Boismortier, Marc-Antoine Charpentier, Marin Marais, Michel Corrette, Michel Richard Delalande. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Lalande: Premier Caprice ou Caprice de Villers-Cotterets: III. Trio - Augmentation, deuxième air neuf's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lalande: Premier Caprice ou Caprice de Villers-Cotterets: III. Trio - Augmentation, deuxième air neuf by Michel Richard Delalande, Jean-François Paillard, Orchestre de chambre Jean-François Paillard is Allegro (fast, quick, and bright), since this song has a tempo of 146 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat, W. E22: Gloria Patri et filio (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Le tenebre vinte (Coro) | Andrea Bernasconi, Dorothee Oberlinger, Ensemble 1700 | F♯ Major | 2 | 2B | 144 BPM | ||
Stabat Mater, P. 77: VI. Vidit suum | Giovanni Battista Pergolesi, Shira Patchornik, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 101 BPM | ||
Venite exultemus Domino, S. 58: No. 6, Venite, adoremus (Live) | Michel Richard Delalande, Chantal Santon Jeffery, Reinoud Van Mechelen, Lisandro Abadie, Les Chantres du Centre de Musique Baroque de Versailles, Les Pages du Centre de Musique Baroque de Versailles, Collegium Marianum, Olivier Schneebeli | D♭ Minor | 1 | 12A | 52 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM |