Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider's 'Magnificat, W. E22: Gloria Patri et filio (Chorus)' came out on January 1, 2002. With Magnificat, W. E22: Gloria Patri et filio (Chorus) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 16 in Bach, C.P.E.: Magnificat / Bach, J.C.: Tantum Ergo by Michael Schneider. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Magnificat, W. E22: Gloria Patri et filio (Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat, W. E22: Gloria Patri et filio (Chorus) by Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Alcina, HWV 34, Act I: Questo è il cielo di contenti | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Alex Rosen, Anna Bonitatibus, Valerio Contaldo, Elizabeth DeShong, Magdalena Kozená, Erin Morley | B Minor | 2 | 10A | 166 BPM | ||
Elijah, Op.70, MWV A25 / Part 2: "Be not affraid, saith God the Lord" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 51 BPM | ||
6. Aria: Ein Gebet um neue Stärke | Georg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer Domorchester | A Major | 2 | 11B | 74 BPM | ||
Missa Charitatis, ZWV 10: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | A♭ Major | 3 | 4B | 101 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | ||
Missa ex B: XXI. Amen - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Te Deum: VI. Tu ad liberandum | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM |