Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau made "Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria" available on January 26, 2024. With this song being about 5 minutes long, at 4:43, "Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria" by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 29 in Corelli & Quentin: Flute Sonatas by Anna Besson, Myriam Rignol, Jean Rondeau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Lillyburlero | Humankind Orchestra, Julien Leonard, Myriam Rignol, Jérôme Van Waerbeke | G Major | 0 | 9B | 98 BPM | ||
A Collection of Old Scots Tunes: Lochaber | Francesco Barsanti, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
6 Concerts transcrits en sextuor / 2e Concert: 2. La Boucon | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Overture-Suite in D Major, TWV 55:D1: I. Ouverture: Lentement - Vite - Lentement | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 3 | 11A | 118 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: I. Vivace | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Recorder Concerto No. 9 in A Minor: III. Fuga | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 117 BPM | ||
Troisième Leçon du premier jour: Jod. Manum suam misit hostis | Michel Lambert, Marc Mauillon, Myriam Rignol, Thibaut Roussel, Marouan Mankar-Bennis | F♯ Minor | 0 | 11A | 100 BPM |