"The Road Goes Ever On: No. 9, Bilbo’s Last Song" by Donald Swann, Christopher Glynn, Felicity Lott, Roderick Williams was released on June 30, 2017. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 23 out of 46 in Donald Swann: Songs by Donald Swann, Christopher Glynn. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Road Goes Ever On: No. 9, Bilbo’s Last Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Road Goes Ever On: No. 9, Bilbo’s Last Song by Donald Swann, Christopher Glynn, Felicity Lott, Roderick Williams is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Vow to Thee, My Country (Arr. Michael Leighton Jones) | Gustav Holst, Michael Leighton Jones, Cecil Arthur Spring Rice, The Choir of Trinity College, Melbourne, Jonathan Bradley | B♭ Major | 2 | 6B | 130 BPM | ||
Rodgers / Arr. Powell: You'll Never Walk Alone (From "Carousel") | The John Wilson Orchestra, John Wilson | B♭ Major | 1 | 6B | 69 BPM | ||
The Merry Widow Waltz | Ian Whitcomb, The White Star Orchestra | G Major | 2 | 9B | 160 BPM | ||
Irish Blessing - SATB | Bob Chilcott, The Oxford Choir | C Major | 0 | 8B | 77 BPM | ||
I Was Glad | Hubert Parry, The Sixteen, Harry Christophers | B♭ Major | 2 | 6B | 172 BPM | ||
The Pirates of Penzance: When the Foe-Man Bares His Steel | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | D Major | 3 | 10B | 59 BPM | ||
Merry Widow Waltz | Franz Lehár, Pro Musica Symphony Orchestra, Robert Ashley | F Major | 4 | 7B | 79 BPM | ||
Sketch of a Daddy | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 1 | 7B | 115 BPM | ||
Misalliance | Michael Flanders, Donald Swann | E Major | 4 | 12B | 103 BPM | ||
Sonnet from 'Moods Of Love' | C. Day Lewis, Donald Swann, Jill Balcon, Brian Kay, Heather Corbett, Stephen Henderson | E♭ Major | 0 | 5B | 65 BPM |