Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper's 'Sketch of a Daddy' came out on March 2, 1992. The duration of Sketch of a Daddy is about 3 minutes long, at 3:28. Based on our data, "Sketch of a Daddy" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wood: Sketch of A Dandy / London Cameos by Haydn Wood. The song's track number on the album is #1 out of 11 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Sketch of a Daddy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sketch of a Daddy by Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Sketch of a Daddy being at 115 テンポ, the half-time would be 58 テンポ with a double-time of 230 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Lullaby for Penelope | Leslie Osborne, Studio 2 Concert Orchestra, Reginald Kilbey | D Major | 1 | 10B | 82 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Cradle Song | Gordon Jacob, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 72 BPM | ||
Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | F♯ Minor | 0 | 11A | 198 BPM | ||
My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
The Stars and Stripes Forever | Vladimir Horowitz, John Philip Sousa, Valery Kuleshov | E♭ Major | 2 | 5B | 106 BPM |