"Merry Widow Waltz" by Franz Lehár, Pro Musica Symphony Orchestra, Robert Ashley was released on May 21, 2012. The duration of Merry Widow Waltz is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Merry Widow Waltz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Twelve Beloved Waltzes". In this album, this song's track order is #2. Merry Widow Waltz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Merry Widow Waltz by Franz Lehár, Pro Musica Symphony Orchestra, Robert Ashley having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Zarewitsch: Act II: Das leben ruft, "Waltz Song" (Sonja) | Franz Lehár, Alexandra Reinprecht, Christina Landshamer, Matthias Klink, Andreas Winkler, Jutta Neumann, Robert Andrej Augustin, Frank Manhold, Henry Raudales, Bavarian Radio Chorus, Munich Radio Orchestra, Ulf Schirmer | C Major | 2 | 8B | 76 BPM | ||
The Ride to Town (Scene 4) | Robert Ashley | F Minor | 1 | 4A | 144 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Rodeo: V. Hoe Down | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | D Major | 2 | 10B | 120 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
The Airline Ticket Counter (Scene 5) | Robert Ashley | F Minor | 3 | 4A | 131 BPM | ||
Carmen Suite No. 2: VI. Danse Boheme | Georges Bizet, Slovak Philharmonic, Anthony Bramall | C Major | 1 | 8B | 108 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM |