"2 Mazurkas, Op. 19: Mazurka, Op. 19, No. 1, "Obertass"" by Henryk Wieniawski, Marat Bisengaliev, John Lenehan was released on June 3, 1994. The duration of 2 Mazurkas, Op. 19: Mazurka, Op. 19, No. 1, "Obertass" is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. 2 Mazurkas, Op. 19: Mazurka, Op. 19, No. 1, "Obertass"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wieniawski: Violin Showpieces by Henryk Wieniawski. The song's track number on the album is #9 out of 13 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, 2 Mazurkas, Op. 19: Mazurka, Op. 19, No. 1, "Obertass" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 2 Mazurkas, Op. 19: Mazurka, Op. 19, No. 1, "Obertass" by Henryk Wieniawski, Marat Bisengaliev, John Lenehan has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 2 Mazurkas, Op. 19: Mazurka, Op. 19, No. 1, "Obertass" being at 104 テンポ, the half-time would be 52 テンポ with a double-time of 208 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | B♭ Major | 1 | 6B | 82 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 2 | 10B | 95 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D Major | 1 | 10B | 107 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | F Major | 1 | 7B | 103 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | C Major | 0 | 8B | 102 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Schön Rosmarin | Fritz Kreisler, Joshua Bell, Paul Coker | G Major | 1 | 9B | 107 BPM |