"Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace)" by Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda was released on December 23, 2016. Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) appears to be safe for all ages as it is not explicit. The song is number 3 out of 8 in Chopin: Piano Concerto No. 1; Ballades (Deluxe) by Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace) by Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Etudes, Op.25: No.1 in A-flat Major(Aeolian Harp) | Pianozone, Frédéric Chopin | A♭ Major | 2 | 4B | 104 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
12 Études, Op. 25: No. 7 in C-Sharp Minor "Cello" | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 0 | 12A | 108 BPM | ||
Polonaise de Concert in D, Op. 4 | Henryk Wieniawski, Nikolaj Znaider | D Major | 2 | 10B | 178 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Ballade No. 2 in F Major, Op. 38 | Frédéric Chopin, Seong-Jin Cho | F Major | 1 | 7B | 138 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
"Trumpet Overture", Op. 101 - Allegro vivace: Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Piano Concerto No. 1 in F sharp minor, Op. 1: 1. Vivace | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | A Minor | 0 | 8A | 69 BPM | ||
The Throne Room and End Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 58 BPM |