Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine's 'Carmen Fantasy, Op. 25: III. Allegro moderato' came out on January 1, 1993. The duration of Carmen Fantasy, Op. 25: III. Allegro moderato is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: III. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 17 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Pablo de Sarasate, Wiener Philharmoniker, Henryk Wieniawski, James Levine, Giuseppe Tartini, Maurice Ravel, Jules Massenet, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen Fantasy, Op. 25: III. Allegro moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Fantasy, Op. 25: III. Allegro moderato by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Mischa Maisky, Philharmonia Orchestra, Giuseppe Sinopoli | E Minor | 1 | 9A | 95 BPM | ||
Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) | Claude Debussy, Itzhak Perlman | G Major | 0 | 9B | 120 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 1. Allegro vivace | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | E Major | 1 | 12B | 81 BPM | ||
Sonata for Violin and Continuo in G Minor, B. g5 - "Il trillo del diavolo": I. Larghetto affettuoso | Giuseppe Tartini, Anne-Sophie Mutter, TrondheimSolistene | G Minor | 1 | 6A | 88 BPM | ||
Bériot: Scène de ballet, Op. 100 | Charles-Auguste de Bériot, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Major | 2 | 11B | 102 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Hungarian Dance No.8 In A Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 151 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | B♭ Major | 1 | 6B | 98 BPM |