Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine's 'Carmen Fantasy, Op. 25: Introduction. Allegro Moderato' came out on January 1, 1993. The duration of Carmen Fantasy, Op. 25: Introduction. Allegro Moderato is about 3 minutes long, at 3:22. Based on our data, "Carmen Fantasy, Op. 25: Introduction. Allegro Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 17 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Pablo de Sarasate, Wiener Philharmoniker, Henryk Wieniawski, James Levine, Giuseppe Tartini, Maurice Ravel, Jules Massenet, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen Fantasy, Op. 25: Introduction. Allegro Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Fantasy, Op. 25: Introduction. Allegro Moderato by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Donnybrook Fair - Based On "Blowing Off Steam" From "Far And Away" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | G Major | 4 | 9B | 85 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1 | Pablo de Sarasate, Itzhak Perlman | C Major | 2 | 8B | 98 BPM | ||
Prélude, Fugue et Variation, Op. 18: I. Andantino. II. Lento (Arr. pour piano) | César Franck, Nikolai Lugansky | B Minor | 0 | 10A | 70 BPM | ||
14 Songs, Op. 34: No. 14, Vocalise (Arr. A. Harris for Violin & Orchestra) | Sergei Rachmaninoff, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | E Minor | 2 | 9A | 88 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 79 BPM | ||
Sayuri's Theme - From "Memoirs Of A Geisha" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | D Minor | 2 | 7A | 90 BPM |