"Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano)" by Claude Debussy, Itzhak Perlman was released on September 25, 2015. The duration of Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 26 in Encores by Itzhak Perlman. Based on our statistics, Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) by Claude Debussy, Itzhak Perlman is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D Minor, Op. 22: I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 104 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Beau soir (arr. J. Heifetz) | Jascha Heifetz, Claude Debussy, Elissa Lee Koljonen, Robert Koenig | F♯ Minor | 0 | 11A | 66 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Serenade for Strings in E, Op.22: 1. Moderato | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 126 BPM | ||
Ravel: Jeux d'eaux, M. 30 | Maurice Ravel, Monique Haas | A♭ Major | 2 | 4B | 78 BPM | ||
Preludes, L. 123, Book II: II. Feuilles mortes | Claude Debussy, Francesco Piemontesi | D♭ Major | 0 | 3B | 68 BPM |