Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel made ""Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro" available on January 1, 1983. The duration of "Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. "Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 20 in French Baroque Concertos by Musica Antiqua Köln, Reinhard Goebel. In terms of popularity, "Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of "Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro by Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Suite pour quatre parties de violes, H. 545: 6. Passecaille | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 3 | 12A | 109 BPM | ||
Symphonies pour un reposoir, H. 515: 3. In supremae pour le petit choeur | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 1 | 1B | 125 BPM | ||
Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement | Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | B Major | 2 | 1B | 113 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 72 BPM | ||
Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 105 BPM | ||
Alcina, HWV 34 / Act II: "Verdi prati" (Arr. for Oboe d'amore, Strings and Basso Continuo) | George Frideric Handel, Albrecht Mayer, Jakub Haufa, Monika Razynska, Sinfonia Varsovia | D Minor | 2 | 7A | 176 BPM |