Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić made "Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement" available on February 22, 2019. The duration of Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 19 in Baroque Journey by Lucie Horsch, Academy of Ancient Music, Bojan Čičić. In terms of popularity, Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement by Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Concerto in C Major, BWV 1064 (arr. for 3 violins and orchestra): II. Adagio | Johann Sebastian Bach, Elisabeth Kufferath, Christine Pichlmeier, Winfried Rademacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 67 BPM | ||
The Married Beau, Z.603: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 2 | 12A | 143 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Musicalische Ergötzung: Partie IV in e-moll | Johann Pachelbel, Charles Medlam, London Baroque | E♭ Minor | 2 | 2A | 89 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Violin Concerto in A Minor: I. Allegro | Johann Georg Pisendel, Lina Tur Bonet, Musica Alchemica | E♭ Minor | 4 | 2A | 105 BPM | ||
Sonata No. 1 in D Major, Op. 5: III. Allegro | Arcangelo Corelli, Rémy Baudet, Jaap Ter Linden, Mike Fentross, Pieter-Jan Belder | D Minor | 2 | 7A | 79 BPM |