Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Kurt Großkurth, Brigitte Mira's 'Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon)' came out on September 29, 2014. With Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Erika Köth, Hans Hermann Schaufuss's "Kálmán: Das Veilchen von Montmartre" album is number 27 out of 29. On top of that, Germany appears to be the country where this track was created. Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon) by Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Kurt Großkurth, Brigitte Mira to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bauern-Polka | Johann Strauss Orchester | G Major | 3 | 9B | 99 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "Brüderchen, komm tanz mit mir" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 92 BPM | ||
Gräfin Mariza, Act II: "Herrgott, was ist den heut' los" - "Einmal möchte ich wieder tanzen" (Tassilo, Mariza) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal, Sena Jurinaz | A Major | 3 | 11B | 74 BPM | ||
Coppélia (Excerpts): No. 20a, Valse des heures | Léo Delibes, Cologne New Philharmonic Orchestra, Volker Hartung | E♭ Major | 1 | 5B | 178 BPM | ||
Merry Widow Waltz | The Vienna National Opera Orchestra | A Major | 2 | 11B | 146 BPM | ||
Akt I: Titurel, der fromme Held | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
Bulgaren-marsch | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 4 | 11B | 120 BPM | ||
The Gypsy Princess: Interlude | Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra | D Major | 2 | 10B | 97 BPM | ||
Gräfin Mariza, Act III: Finale (Mariza, Tassilo, Chor) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Sena Jurinaz, Karl Terkal, Chor Des NDR Hamburg | B♭ Major | 3 | 6B | 118 BPM |