Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra's 'The Gypsy Princess: Interlude' came out on January 18, 2019. The duration of The Gypsy Princess: Interlude is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. The Gypsy Princess: Interlude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra's "Kálmán: The Gypsy Princess (Highlights)" album is number 6 out of 13. In terms of popularity, The Gypsy Princess: Interlude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Gypsy Princess: Interlude by Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
In Saus und Braus | Carl Millöcker, Riccardo Muti, Wiener Philharmoniker | F Major | 4 | 7B | 84 BPM | ||
Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 6 | 5B | 86 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Zweiter Akt: Einlage 3: Als Sigi in der Wiege lag - Was kann der Sigismund dafür, daß er so schön ist (Sigismund - Klärchen) - Musik: Robert Gilbert | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | G Minor | 5 | 6A | 134 BPM | ||
Britta Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 87 BPM | ||
Tableau 4 | Serge Baudo, Orchestre du Théâtre National de l'Opéra | A Major | 0 | 11B | 87 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
Die Zirkusprinzessin - operetta in 3 Acts: Wenn du mich sitzen läßt | Emmerich Kálmán, Rita Bartos, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 147 BPM | ||
Evening Bells | Anonymous, Andre Bielecki, Don Kosaken Chor, Serge Jaroff | E♭ Major | 2 | 5B | 89 BPM |