Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal, Sena Jurinaz made "Gräfin Mariza, Act II: "Herrgott, was ist den heut' los" - "Einmal möchte ich wieder tanzen" (Tassilo, Mariza)" available on January 29, 2015. The duration of Gräfin Mariza, Act II: "Herrgott, was ist den heut' los" - "Einmal möchte ich wieder tanzen" (Tassilo, Mariza) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Gräfin Mariza, Act II: "Herrgott, was ist den heut' los" - "Einmal möchte ich wieder tanzen" (Tassilo, Mariza)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Sena Jurinaz, Karl Terkal's "Kálmán: Gräfin Mariza" album is number 24 out of 38. On top of that, Germany appears to be the country where this track was created. Gräfin Mariza, Act II: "Herrgott, was ist den heut' los" - "Einmal möchte ich wieder tanzen" (Tassilo, Mariza) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gräfin Mariza, Act II: "Herrgott, was ist den heut' los" - "Einmal möchte ich wieder tanzen" (Tassilo, Mariza) by Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal, Sena Jurinaz to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Carlos Kleiber, Wiener Philharmoniker | F Major | 2 | 7B | 80 BPM | ||
"Im Prater blühn wieder die Bäume" | Robert Stolz, Fritz Wunderlich, Vienna State Opera Chorus, Vienna Volksoper Orchestra | F Major | 3 | 7B | 86 BPM | ||
The Haunting Hour | Emiliano Branda | B♭ Major | 2 | 6B | 151 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Dialog | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | A Minor | 4 | 8A | 60 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | D♭ Major | 1 | 3B | 74 BPM |