Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger's '18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major' came out on January 1, 2014. Since 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Perla Barocca: Early Italian Masterpieces". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major by Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina" | Marco Uccellini, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Trio Sonata in A Major, Op. 6 No. 5 | Giovanni Maria Bononcini, London Baroque | A♭ Major | 2 | 4B | 129 BPM | ||
Keyboard Concerto No. 3 in G Major: III. Vivace | Johann Gottfried Müthel, Marcin Świątkiewicz, Arte dei Suonatori | D♭ Major | 2 | 3B | 147 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Sonata a violono e violone e cimbalo, Op. 5, Sonata No.1 in D: I.Grave-Allegro | Arcangelo Corelli, Trio Sonnerie | A♭ Major | 2 | 4B | 86 BPM | ||
Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: II. Allegro | Europa Galante, Fabio Biondi | E Minor | 3 | 9A | 80 BPM | ||
Sonata in A Major, No. 6: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F Minor | 1 | 4A | 105 BPM | ||
Sonata terzadecima, Per due violini e fagotto | Giovanni Battista Fontana, Ensemble Almageste, Hélène Houzel, Sébastien d'Hérin, Jérémie Papasergio, Marie Garnier-Mazullo | F♯ Major | 1 | 2B | 140 BPM |