"Sonata terzadecima, Per due violini e fagotto" by Giovanni Battista Fontana, Ensemble Almageste, Hélène Houzel, Sébastien d'Hérin, Jérémie Papasergio, Marie Garnier-Mazullo was released on February 15, 2008. Sonata terzadecima, Per due violini e fagotto is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 7 out of 10 in Fontana : Sonate a 1, 2, 3 by Giovanni Battista Fontana, Ensemble Almageste, Hélène Houzel, Sébastien d'Hérin, Frédéric Baldassare, Angélique Mauillon, Emmanuelle Guigues, Jérémie Papasergio, Rémi Cassaigne, Marie Garnier-Mazullo. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Sonata terzadecima, Per due violini e fagotto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata terzadecima, Per due violini e fagotto by Giovanni Battista Fontana, Ensemble Almageste, Hélène Houzel, Sébastien d'Hérin, Jérémie Papasergio, Marie Garnier-Mazullo is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Concerto In A Major, Op.12, No.1: 1. Largo | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 101 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Sonata undecimal, No. 11 | Giovanni Battista Fontana, Lux Terrae Baroque Ensemble, Neyza Copa, Giovanni Rota, Lamberto Curtoni, Gabriele Marzella | F♯ Major | 2 | 2B | 83 BPM | ||
18 Sonatas in 1, 2, 3 Parts: No. 6 in G Major | Giovanni Battista Fontana, Arparla, Davide Monti, Maria Christina Clearly | G Major | 1 | 9B | 71 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Issé: Issé, Prologue: Menuets | Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Major | 2 | 3B | 103 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM |