Giovanni Maria Bononcini, London Baroque's 'Trio Sonata in A Major, Op. 6 No. 5' came out on November 6, 2012. With this song being about 5 minutes long, at 4:58, "Trio Sonata in A Major, Op. 6 No. 5" by Giovanni Maria Bononcini, London Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Trio Sonata in A Major, Op. 6 No. 5's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in A Major, Op. 6 No. 5 by Giovanni Maria Bononcini, London Baroque having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 "Dolorosa" | Nicolaus à Kempis, London Baroque | E Major | 2 | 12B | 83 BPM | ||
Trio Sonata in B-Flat Major, H. 584, Wq. 158: II. Largo con sordini | Carl Philipp Emanuel Bach, London Baroque | D Major | 0 | 10B | 123 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Les Amants trahis: Recitative - Duet. Ma bergere a trahi sa foi (Soprano, Baritone) | Jean-Philippe Rameau, Peter Harvey, Philippa Hyde, London Baroque | F♯ Minor | 1 | 11A | 66 BPM | ||
Trio Sonata in G Minor, Op. 3 No. 5: II. Allegro | Giuseppe Sammartini, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Trio Sonata in E-Flat Major, Op. 8, No. 6: I. Largo andante | Giuseppe Tartini, Danubius Ensemble | D Major | 1 | 10B | 57 BPM | ||
12 Trio Sonatas, Op. 2, No. 6: I.-III. Allemanda - Corrente - Giga | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | G Major | 1 | 9B | 114 BPM | ||
Trio Sonata in G Minor, Op. 2 No. 5, HWV 390: IV. Allegro | George Frideric Handel, London Baroque | B Major | 3 | 1B | 124 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Trio Sonata in G Minor, Op. 2 No. 5, HWV 390: III. Adagio | George Frideric Handel, London Baroque | F♯ Major | 3 | 2B | 137 BPM |