Marco Uccellini, London Baroque made "Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina"" available on November 6, 2012. The duration of Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina" is about 3 minutes long, at 3:23. Based on our data, "Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina" by Marco Uccellini, London Baroque having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in E Minor: V. Largo | Johann Rosenmüller, London Baroque | F♯ Minor | 1 | 11A | 122 BPM | ||
Sonata in F Major, TWV 40:103: I. Dolce | Georg Philipp Telemann, Michala Petri | F Major | 0 | 7B | 80 BPM | ||
Concerto No 4 in D major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A♭ Major | 4 | 4B | 93 BPM | ||
Sonata à 3 in D Minor, Op. 2 No. 6: VII. Aria. Vivace | Carolus Hacquart, London Baroque | E Major | 2 | 12B | 83 BPM | ||
Trio Sonata in G Major, BuxWV 271: V. Adagio - Allegro | Dietrich Buxtehude, London Baroque | A♭ Minor | 2 | 1A | 119 BPM | ||
Arne: Delia | Thomas Arne, Emma Kirkby, London Baroque, Charles Medlam | D♭ Major | 1 | 3B | 120 BPM | ||
Mensa sonora / PARS I (In D Major): 1. Sonata. Grave - Allegro | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 139 BPM | ||
La superbe (Ed. R. Gwilt): I. — | François Couperin, London Baroque | B Minor | 0 | 10A | 188 BPM | ||
Violin Sonata in E-Flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | A Major | 1 | 11B | 139 BPM | ||
Le temps: Air pour l'Este et ses Suivants | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM |