"Adams: Nixon in China: Act I, Scene 2 - (Beginning)" by John Adams, Edo de Waart, Orchestra of St. Luke's was released on November 1, 1996. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #7. The popularity of Adams: Nixon in China: Act I, Scene 2 - (Beginning) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Adams: Nixon in China: Act I, Scene 2 - (Beginning) by John Adams, Edo de Waart, Orchestra of St. Luke's having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Two Fanfares for Orchestra: Tromba Lontana | John Adams, Edo de Waart, San Francisco Symphony | G Major | 1 | 9B | 121 BPM | ||
The Rake's Progress: Act III Scene 3: Duet: In a foolish dream… (Tom, Anne) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | E♭ Major | 1 | 5B | 89 BPM | ||
Götterdämmerung | Richard Wagner, Edo de Waart, Netherlands Radio Philharmonic Orchestra | A♭ Major | 0 | 4B | 66 BPM | ||
Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | G Minor | 1 | 6A | 65 BPM | ||
Jenufa / Act 1: Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 1 | 11B | 70 BPM | ||
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Ives: Set No. 3 for Chamber Orchestra: I. At Sea. Adagio sostenuto | Charles Ives, Ensemble Modern, Ingo Metzmacher | G Major | 0 | 9B | 95 BPM | ||
Symphony No. 2 in C minor - "Resurrection": 5e. "O glaube, mein Herz, o glaube" | Gustav Mahler, Ileana Cotrubas, Christa Ludwig, Vienna State Opera Chorus, Wiener Philharmoniker, Zubin Mehta | G Major | 3 | 9B | 92 BPM | ||
El Niño: Magnificat | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin, Theatre Of Voices, London Voices, Dawn Upshaw | E Minor | 1 | 9A | 95 BPM | ||
Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | D♭ Minor | 0 | 12A | 133 BPM |