"Jenufa / Act 1: Prelude" by Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras was released on January 1, 1983. With Jenufa / Act 1: Prelude being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leoš Janáček, Elisabeth Söderström, Peter Dvorsky, Eva Randová, Wiesław Ochman, Vienna State Opera Orchestra, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: Jenufa" album is number 1 out of 28. Jenufa / Act 1: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jenufa / Act 1: Prelude by Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
North Country Sketches: 4. The March of the Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | F Major | 1 | 7B | 77 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 87 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | ||
The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse) | Igor Stravinsky, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | D♭ Minor | 0 | 12A | 110 BPM | ||
Siegfried / Erster Aufzug: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 112 BPM | ||
Symphony No.3 In E Flat, Op.10, B. 34: 3. Finale (Allegro vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E♭ Major | 3 | 5B | 101 BPM | ||
Die Libelle, Polka-Mazur, Op. 204 | Josef Strauss, Georges Prêtre, Wiener Philharmoniker | G Major | 1 | 9B | 92 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Edvard Grieg: III. Norwegian March: Allegretto marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM | ||
Symphony No. 8 in C Minor, WAB 108: II. Scherzo: Allegro moderato - Trio. Langsam | Anton Bruckner, Wiener Philharmoniker, Pierre Boulez | D♭ Major | 1 | 3B | 125 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM |