"Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. With Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #5. Based on our statistics, Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Sempre vivo: The Tramps Leap Out | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 77 BPM | ||
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
Symphony No.1 in E Major, Op. 26: V. Allegro | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | A♭ Major | 0 | 4B | 0 BPM | ||
Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte" | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss | B♭ Major | 1 | 6B | 153 BPM | ||
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | ||
Pelléas et Mélisande, L. 88 / Act I: "Voici ce qu'il écrit à son frère" | Claude Debussy, Christa Ludwig, Wiener Philharmoniker, Claudio Abbado | D Major | 3 | 10B | 93 BPM | ||
Serenade, Op. 1: I. Un poco adagio - Allegro con sprito | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | C Major | 0 | 8B | 144 BPM | ||
Roman Festivals: II. Il giubileo | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | D Minor | 1 | 7A | 136 BPM | ||
Violin Concerto: III. Intermezzo | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | B♭ Major | 1 | 6B | 82 BPM | ||
Le marteau sans maître: "L'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 175 BPM |