"Le marteau sans maître: "L'Artisanat furieux"" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain was released on December 15, 2004. The duration of Le marteau sans maître: "L'Artisanat furieux" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Le marteau sans maître: "L'Artisanat furieux"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 11 in Boulez: Le Marteau sans maitre; Derive 1 & 2 by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Le marteau sans maître: "L'Artisanat furieux" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le marteau sans maître: "L'Artisanat furieux" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain is Vivace (lively and fast), since this song has a tempo of 175 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo | Felix Mendelssohn, London Symphony Orchestra, Alexander Knox, John Eliot Gardiner | G Minor | 1 | 6A | 134 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
Violin Concerto (1992): I. Praeludium: Vivacissimo luminoso - attacca: | György Ligeti, Saschko Gawriloff, Ensemble Intercontemporain, Pierre Boulez | G Major | 1 | 9B | 114 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 112 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Second Decoy Game | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | C Major | 0 | 8B | 101 BPM |