"The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Sempre vivo: The Tramps Leap Out" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1996. The duration of The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Sempre vivo: The Tramps Leap Out is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Sempre vivo: The Tramps Leap Out's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 15 in Bartók: The Miraculous Mandarin by Béla Bartók, Chicago Symphony Chorus, Chicago Symphony Orchestra, Duain Wolfe, Pierre Boulez. The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Sempre vivo: The Tramps Leap Out is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Miraculous Mandarin, BB 82, Sz. 73 (Op.19): Sempre vivo: The Tramps Leap Out by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feste romane (Roman Festivals): I. Circenses | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | A♭ Major | 5 | 4B | 79 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 88 BPM | ||
Strauss, Johann II : Annen-Polka Op.117 | Johann Strauss II, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 163 BPM | ||
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Don Quixote, Op. 35: Introduction | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | G Minor | 1 | 6A | 65 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Variations On A Theme By Chopin: Variation 11. Lento dolce e legato | Federico Mompou, Daniil Trifonov | F♯ Minor | 1 | 11A | 66 BPM |