"Ives: Set No. 3 for Chamber Orchestra: I. At Sea. Adagio sostenuto" by Charles Ives, Ensemble Modern, Ingo Metzmacher had its release date on January 1, 1992. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 26 in A Portrait of Charles Ives by Charles Ives, Ingo Metzmacher. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Ives: Set No. 3 for Chamber Orchestra: I. At Sea. Adagio sostenuto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ives: Set No. 3 for Chamber Orchestra: I. At Sea. Adagio sostenuto by Charles Ives, Ensemble Modern, Ingo Metzmacher is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wozzeck / Act III: Scene V: Street Before Marie's Door. "Ringel, Ringel, Rosenkranz" | Alban Berg, Viktoria Lehner, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 140 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Eislermaterial: Und endlich stirbt die Sehnsucht doch | Hanns Eisler, Ensemble Modern, Joseph Bierbichler | G Major | 0 | 9B | 165 BPM | ||
Sextet, FP 100: Divertissement: Andantino | Francis Poulenc, Philippe Bernold, Olivier Doise, Hervé Joulain, Ronald Van Spaendonck, Alexandre Tharaud, Laurent Lefèvre | E♭ Major | 0 | 5B | 135 BPM | ||
Schoenberg: 6 Little Piano Pieces Op. 19: No. 3 Sehr langsame Viertel | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 70 BPM | ||
Die Dreigroschenoper: Ballade vom angenehmen Leben | Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe | A Major | 3 | 11B | 126 BPM |