Claudio Monteverdi, Emmanuelle Haïm's 'Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Io su cetera d'or cantando soglio" (La Musica)' had a release date set for 2004. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Claudio Monteverdi, Emmanuelle Haïm's "Monteverdi: L'Orfeo" album is number 7 out of 80. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Io su cetera d'or cantando soglio" (La Musica) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Io su cetera d'or cantando soglio" (La Musica) by Claudio Monteverdi, Emmanuelle Haïm to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM | ||
Madrigals, Book 9: Non voglio amare, SV 172 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Falco van Loon, Joao Moreiro | C Major | 1 | 8B | 72 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Jephte: XVIII. Coro a 6 | Giacomo Carissimi, Consortium Carissimi, Vittorio Zanon | G Minor | 1 | 6A | 81 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281 | Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter | G Major | 1 | 9B | 129 BPM |