"2e livre de viole: Tombeau pour Mr de Sainte-Colombe" by Marin Marais, Friederike Heumann, Xavier Diaz-Latorre was released on January 1, 2002. Since 2e livre de viole: Tombeau pour Mr de Sainte-Colombe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Marin Marais, Sophie Watillon's "Marais: La Rêveuse, & autres pièces de viole" album is number 12 out of 12. On top of that, France appears to be the country where this track was created. The popularity of 2e livre de viole: Tombeau pour Mr de Sainte-Colombe is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2e livre de viole: Tombeau pour Mr de Sainte-Colombe by Marin Marais, Friederike Heumann, Xavier Diaz-Latorre to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in E Major, BWV 1006a: V. Bourrée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
[Suite en sol majeur]: V. Gavotte (No. 78) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 76 BPM | ||
Armide: Prologue: Ouverture | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | B♭ Major | 1 | 6B | 105 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
Concerto for Strings in C Major, RV 114: I. Allegro - Adagio | Antonio Vivaldi, Ensemble 415, Chiara Banchini | A♭ Major | 0 | 4B | 69 BPM | ||
Passacaille en sol mineur | Francesco Corbetta, Rolf Lislevand | F♯ Minor | 1 | 11A | 89 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Sinfonia No. 6 in G minor (arrangement of oratorio sinfonia San Elena al Calvario): Sant' Elena al Calvario: Introduzione, "Sinfonia No. 6 in G Minor" | Antonio Caldara, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM |