"Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281" by Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter was released on March 1, 2009. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Sacred Flame". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281 by Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Nocturnes: No. 3. Lullaby | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 1 | 12B | 70 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Becker Psalter, Op. 5: No. 139, Aus tiefer Not schrei ich zu dir, SWV 235 "Psalm 130" | Heinrich Schütz, Isabel Schicketanz, Stefan Kunath, Tobias Mathger, Martin Schicketanz, Margret Baumgartl, Matthias Müller, Stefan Maass, Michaela Hasselt, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 78 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Phos hilaron: II. Phos hilaron | Owain Park, The Gesualdo Six | D Major | 0 | 10B | 82 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
The Gift of Life: No. 2. The tree of life | John Rutter, The Cambridge Singers, Royal Philharmonic Orchestra | A Major | 0 | 11B | 61 BPM | ||
All Shall be Well | Roxanna Panufnik, Exultate Singers, Richard May, David Ogden | F Major | 1 | 7B | 69 BPM | ||
Magnificat in D Major, BWV 243: II. Et exultavit spiritus meus | Johann Sebastian Bach, La Chapelle Royale, Philippe Herreweghe, Agnes Mellon | E♭ Major | 3 | 5B | 101 BPM |