Johann Strauss II, Natascha Petrinsky, Paul Armin Edelmann, Chen Reiss, Aga Mikolaj, Sebastian Holecek, Miljenko Turk, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider's 'Die Fledermaus: Act II: Finale: Genug damit, genug! (Orlofsky, Eisenstein, Adele, Rosalinde, Frank, Falke, Chorus)' came out on February 4, 2014. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Fledermaus: Act II: Finale: Genug damit, genug! (Orlofsky, Eisenstein, Adele, Rosalinde, Frank, Falke, Chorus) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus: Act II: Finale: Genug damit, genug! (Orlofsky, Eisenstein, Adele, Rosalinde, Frank, Falke, Chorus) by Johann Strauss II, Natascha Petrinsky, Paul Armin Edelmann, Chen Reiss, Aga Mikolaj, Sebastian Holecek, Miljenko Turk, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" | Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 85 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, György Éder, Danubius Quartet | A Major | 0 | 11B | 126 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |