"I. Stabat mater dolorosa" by Giovanni Battista Pergolesi, Nathalie Stutzmann, Elizabeth Norberg-Schulz, Roy Goodman was released on October 7, 1996. With this song being about 5 minutes long, at 4:38, "I. Stabat mater dolorosa" by Giovanni Battista Pergolesi, Nathalie Stutzmann, Elizabeth Norberg-Schulz, Roy Goodman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 30 in the song's album "Tears From Heaven". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. I. Stabat mater dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I. Stabat mater dolorosa by Giovanni Battista Pergolesi, Nathalie Stutzmann, Elizabeth Norberg-Schulz, Roy Goodman having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La Serva Padrona · Intermezzo Secondo: XIII. 13 Aria: A Serpina penserete | Giovanni Battista Pergolesi, Amanda Forsythe, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
Stabat Mater: Quando corpus morietur | Giovanni Battista Pergolesi, Anna Netrebko, Marianna Pizzolato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 84 BPM | ||
Monteverdi: Madrigali, Libro VIII "Guerrieri et amorosi": No. 18, Lamento della ninfa, SV 163: "Amor, dicea" | Claudio Monteverdi, Christina Pluhar, Núria Rial, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, L'Arpeggiata | A Minor | 1 | 8A | 136 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM |