Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann made "Prelude No.2 C Minor Op.28-2" available on July 1, 1996. The duration of Prelude No.2 C Minor Op.28-2 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Prelude No.2 C Minor Op.28-2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Great Piano Classics" album is number 3 out of 18. On top of that, Australia appears to be the country where this track was created. Based on our statistics, Prelude No.2 C Minor Op.28-2's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Prelude No.2 C Minor Op.28-2 by Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody In Blue | Radio Orchestra Berlin | D♭ Minor | 1 | 12A | 148 BPM | ||
Piano Concerto no. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kirill Kondrashin, Staatliches Sinfonie Orchester Istanbul | C Minor | 0 | 5A | 73 BPM | ||
Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
Variations on the theme Gott erhalte Franz, den Kaiser in G Major, Hob.III:77: II | Franz Joseph Haydn, Jenő Jandó | G Major | 0 | 9B | 115 BPM | ||
Chopin: Fantasie Impromptu #4 In C Sharp Minor, Op. 66 | London Festival Orchestra | D♭ Major | 1 | 3B | 90 BPM | ||
Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) | London Festival Orchestra Alfred Scholz | E♭ Major | 1 | 5B | 67 BPM | ||
Nocturne In B Major Op.40 | Budapest Philharmonic Orchestra | B Major | 1 | 1B | 88 BPM | ||
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Dvorák: 8 Humoresques, Op. 101, B. 187: No. 7 in G-Flat Major | Antonín Dvořák, Moura Lympany | B Major | 0 | 1B | 70 BPM | ||
브람스 : Waltz In A-Flat Major | Five Sense | A♭ Major | 1 | 4B | 92 BPM |