"Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3)" by London Festival Orchestra Alfred Scholz was released on January 1, 2009. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) by London Festival Orchestra Alfred Scholz is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D, Voluntary 6/6: Trumpet Tune in D | John Stanley, John Wilbraham, Leslie Pearson, London Festival Orchestra, Tutti Camarata | D Major | 3 | 10B | 129 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gewandhausorchester, Václav Neumann | C Major | 3 | 8B | 129 BPM | ||
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
Serenade für Streicher Nr. 13, G-Dur, KV 525: I. Allegro | Alexander Pitamic, Camerata Labacensis | G Major | 1 | 9B | 122 BPM | ||
Two Elegiac Melodies, Op.34: The Last Spring | Edvard Grieg, Eastman Philharmonia, Howard Hanson | A♭ Major | 2 | 4B | 139 BPM | ||
Delibes: Coppélia, Act 3: No. 20c, Fête de la cloche. La prière | Léo Delibes, Kent Nagano, Orchestre de l'Opéra de Lyon | E Major | 0 | 12B | 90 BPM | ||
Symphony, " Salomon " , No. 104 in D-Major, Hob.I:104: IV. Finale: Spiriuoso | Slovak Philharmonic, Alfred Scholz | D Major | 2 | 10B | 138 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Wiener Philharmoniker, Giuseppe Sinopoli | G Major | 1 | 9B | 62 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM |