"Rhapsody In Blue" by Radio Orchestra Berlin was released on May 1, 2010. With this song being about 5 minutes long, at 5:10, "Rhapsody In Blue" by Radio Orchestra Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #88 out of 100 tracks. Based on our statistics, Rhapsody In Blue's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Rhapsody In Blue by Radio Orchestra Berlin has a tempo of 148 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Rhapsody In Blue being at 148 テンポ, the half-time would be 74 テンポ with a double-time of 296 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg - In the Hall of the Mountain King | ピアノ | E Major | 1 | 12B | 140 BPM | ||
Gnossienne No. 5: 5ieme Gnossienne. Modere | Erik Satie, Klara Kormendi | G Major | 1 | 9B | 73 BPM | ||
Ballade, op. 47, As-Dur: Allegretto | Peter Schmalfuss | A♭ Major | 1 | 4B | 73 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Philharmonic Orchestra, Vernon Handley, David Bell, Peter Manning | E♭ Major | 0 | 5B | 77 BPM | ||
String Quartet, No. 5 in D-Major, op. 64: II. Adagio cantabile | Caspar Da Salo Quartet | A Major | 0 | 11B | 85 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E♭ Major | 3 | 5B | 57 BPM | ||
Brandenburg Concerto No. 3 in G, BWV 1048: II. Allegro | Johann Sebastian Bach, George Malcolm, Northern Sinfonia Of England | D♭ Major | 0 | 3B | 64 BPM | ||
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Symfonický orchester Slovenského rozhlasu, Ladislav Slovák | A Major | 6 | 11B | 74 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM |