"Gnossienne No. 5: 5ieme Gnossienne. Modere" by Erik Satie, Klara Kormendi was released on March 15, 1990. The duration of Gnossienne No. 5: 5ieme Gnossienne. Modere is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Gnossienne No. 5: 5ieme Gnossienne. Modere's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Satie: Piano Works (Selection)". In this album, this song's track order is #6. Gnossienne No. 5: 5ieme Gnossienne. Modere is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Gnossienne No. 5: 5ieme Gnossienne. Modere by Erik Satie, Klara Kormendi having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor, Andante con moto | Johannes Brahms, Glenn Gould | E♭ Minor | 0 | 2A | 79 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Gnossiennes: No. 2 - Avec étonnement | Erik Satie, Reinbert de Leeuw | D Minor | 0 | 7A | 71 BPM | ||
The Seasons, Op. 37a, TH 135: 6. June: Barcarolle | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy | G Minor | 0 | 6A | 70 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
The Seasons, Op. 37a: XI. November - Troika | Pyotr Ilyich Tchaikovsky, Lang Lang | E Major | 0 | 12B | 133 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |