On December 1, 2013, the song "Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act I: Army Song (Macheath, Brown, 4 Gangsters)" was released by Kurt Weill, Marc Blitzstein, Scott Merrill, George Tyne, John Astin, Joseph Beruh, Bernard Bogin, Paul Dooley, Artist Unknown, Samuel Matlowsky. The duration of Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act I: Army Song (Macheath, Brown, 4 Gangsters) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act I: Army Song (Macheath, Brown, 4 Gangsters)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: The Threepenny Opera (Original 1954 Cast, Arr. M. Blitzstein) by Marc Blitzstein, Kurt Weill, Samuel Matlowsky. The song's track number on the album is #7 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act I: Army Song (Macheath, Brown, 4 Gangsters) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act I: Army Song (Macheath, Brown, 4 Gangsters) by Kurt Weill, Marc Blitzstein, Scott Merrill, George Tyne, John Astin, Joseph Beruh, Bernard Bogin, Paul Dooley, Artist Unknown, Samuel Matlowsky has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act I: Army Song (Macheath, Brown, 4 Gangsters) being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La dolce vita - Suite: 9. La dolce vita | Nino Rota, Filarmonica della Scala, Riccardo Chailly | F Major | 3 | 7B | 115 BPM | ||
So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered | Glenn Gould, Juilliard String Quartet, Vladimir Golschmann | C Minor | 2 | 5A | 167 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 107 BPM | ||
2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai | Anton Rubinstein, Ludmila Peterková, Irina Kondratenko | F Major | 0 | 7B | 70 BPM | ||
Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo | Kurt Weill, Philip Langridge, Ian Partridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton | D♭ Minor | 3 | 12A | 174 BPM | ||
Valse triste, Op. 44, No. 1 (From "Kuolema") | Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 1 | 3B | 60 BPM | ||
Aufstieg und Fall der Stadt Mahagonny: Act I: Halloh, wir mussen weiter! (Fatty, Moses, Begbick) | Kurt Weill, Thomas Lehrberger, Klaus Hirte, Anny Schlemm, Anja Silja, Wolfgang Neumann, Frederic Mayer, Paul Wolfrum, Hans Franzen, Cologne Pro Musica Vocal Ensemble, Cologne Radio Orchestra, Jan Latham-Koenig | A Major | 1 | 11B | 140 BPM | ||
Die Dreigroschenoper: Grabschrift | Kurt Weill, Rolf Boysen, René Kollo, Rias-Sinfonietta Berlin, John Mauceri | G Major | 1 | 9B | 77 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM |