"2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai" by Anton Rubinstein, Ludmila Peterková, Irina Kondratenko was released on March 23, 2007. The duration of 2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Playful Clarinet". In this album, this song's track order is #20. 2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai by Anton Rubinstein, Ludmila Peterková, Irina Kondratenko having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Clarinet Quintet in B-Flat Major, Op. 89: III. Menuetto. Allegro | Antoine Reicha, Bennewitz Quartet, Ludmila Peterková | B♭ Major | 0 | 6B | 89 BPM | ||
Play Piano Play "10 Pieces for Yuko": No. 1, Moderato | Friedrich Gulda, Martin David Jones | G Major | 1 | 9B | 69 BPM | ||
Mandolin Concerto in C Major, RV 425: III. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 4 | 8B | 148 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Lieder ohne Worte, Op. 102: No. 3 Presto (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 4 | 8B | 78 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
The Demon, Act II: Na Vozdushnom akiane | Anton Rubinstein, Ildar Abdrazakov, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | C Major | 2 | 8B | 77 BPM |