Kurt Weill, Philip Langridge, Ian Partridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton's 'Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo' came out on January 1, 1976. The duration of Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo is about 3 minutes long, at 3:04. Based on our data, "Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #9 out of 42 tracks. The popularity of Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo by Kurt Weill, Philip Langridge, Ian Partridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton has a tempo of 174 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo being at 174 テンポ, the half-time would be 87 テンポ with a double-time of 348 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): IV. Koelkov's Dance with Friends (Tango) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Minor | 2 | 2A | 144 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Linden Lea | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | F Major | 0 | 7B | 86 BPM | ||
Round About Weill I / Denn wie man sich bettet, so liegt man | Kurt Weill, Gianluigi Trovesi, Gianni Coscia | A♭ Major | 0 | 4B | 127 BPM | ||
La forza del destino: Pace, pace, mio Dio | Giuseppe Verdi, Leontyne Price, Thomas Schippers, RCA Italiana Opera Orchestra | C Minor | 1 | 5A | 102 BPM | ||
First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM |