"Die Dreigroschenoper: Grabschrift" by Kurt Weill, Rolf Boysen, René Kollo, Rias-Sinfonietta Berlin, John Mauceri was released on January 1, 1988. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill: The Threepenny Opera by Kurt Weill, René Kollo, Mario Adorf, Helga Dernesch, Ute Lemper, Milva, Wolfgang Reichmann, Susanne Tremper, Rolf Boysen, Rias-Sinfonietta Berlin, John Mauceri. The song's track number on the album is #25 out of 27 tracks. Die Dreigroschenoper: Grabschrift is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Dreigroschenoper: Grabschrift by Kurt Weill, Rolf Boysen, René Kollo, Rias-Sinfonietta Berlin, John Mauceri has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Grabschrift being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 92 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Die Dreigroschenoper: Akt II, Die Seeräuber-Jenny oder Träume eines Küchenmädchens ("Meine Herren, heute sehen Sie mich Gläser abwaschen") | Kurt Weill, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | F Minor | 1 | 4A | 81 BPM | ||
La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 0 | 8B | 176 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Mahagonny Songspiel / Part 1 - Prologue: 2. Alabama Song: Moderato | Kurt Weill, Mary Thomas, Meriel Dickinson, London Sinfonietta, David Atherton | G Major | 2 | 9B | 144 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Carmen: Prelude - les Toreadors - Habanera - Danse Boheme - Chanson du Toreador | Georges Bizet, tenThing | D Minor | 2 | 7A | 148 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM |