"Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth" by Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli was released on 1965. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leontyne Price's "Leontyne Price - Prima Donna Vol. 1: Great Soprano Arias from Purcell to Barber" album is number 2 out of 17. On top of that, United States appears to be the country where this track was created. Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth by Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Mass in B Minor, BWV 232 "Hohe Messe": No. 4 Chorus: Et incarnatus est | Johann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony Orchestra | B Minor | 0 | 10A | 75 BPM | ||
Il Parnaso confuso: Di questa cetra in seno | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 0 | 2B | 82 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Requiem, Op.48: 5. Agnus Dei (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 2 | 6B | 88 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 107 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM |