Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable's 'Sacrum, R.586 - rev. Franz Giegling: 4a Sanctus: (Adagio) Sanctus - (Allegro) Dominus Deus Sabaoth' came out on May 25, 2024. With Sacrum, R.586 - rev. Franz Giegling: 4a Sanctus: (Adagio) Sanctus - (Allegro) Dominus Deus Sabaoth being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 80 out of 96 in English Chamber Orchestra plays Vivaldi, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, Antonio Vivaldi, George Frideric Handel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Sacrum, R.586 - rev. Franz Giegling: 4a Sanctus: (Adagio) Sanctus - (Allegro) Dominus Deus Sabaoth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacrum, R.586 - rev. Franz Giegling: 4a Sanctus: (Adagio) Sanctus - (Allegro) Dominus Deus Sabaoth by Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Paulus: II. Teil: Nr. 37 Chor "Hier ist der Herren Tempel!" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | D♭ Minor | 0 | 12A | 71 BPM | ||
Messiah, HWV 56: Part 2: And with His stripes we are healed (Chorus) | Nikolaus Harnoncourt | E Minor | 2 | 9A | 87 BPM | ||
Heilig ist Gott, Wq. 217: Heilig ist Gott, Wq. 217: 1. Ariette. Herr, wert, daß Scharen der Engel (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 79 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2g Gloria: (Allegro) Quoniam | Antonio Vivaldi, Robert Holl, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 2 | 8B | 165 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2c Gloria: (Allegro non molto) Laudamus te | Antonio Vivaldi, Margaret Marshall, Anne Collins, Robert Holl, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | G Major | 2 | 9B | 80 BPM |