Nikolaus Harnoncourt made "Messiah, HWV 56: Part 2: And with His stripes we are healed (Chorus)" available on 2005. With Messiah, HWV 56: Part 2: And with His stripes we are healed (Chorus) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 2 out of 47. Messiah, HWV 56: Part 2: And with His stripes we are healed (Chorus) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Messiah, HWV 56: Part 2: And with His stripes we are healed (Chorus) by Nikolaus Harnoncourt to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | B Minor | 1 | 10A | 100 BPM | ||
Messiah, HWV 56: Part 3: I know that my Redeemer liveth (Air) | Nikolaus Harnoncourt | E♭ Major | 1 | 5B | 56 BPM | ||
Concerto grosso op. 6 no. 1 in G major HWV 319: I. A tempo guisto | George Frideric Handel, Combattimento Consort Amsterdam, Jan Willem de Vriend | A Minor | 0 | 8A | 70 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Christopher Krueger/Boston Early Music Festival Orchestra/Andrew Parrott, Christopher Krueger, Andrew Parrott, Boston Early Music Festival Orchestra | B♭ Minor | 2 | 3A | 122 BPM | ||
Messiah, HWV 56: Part 3: Then shall be brought to pass. O death where is thy sting (Recitative & Duet) | Nikolaus Harnoncourt | D Major | 2 | 10B | 101 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christine Schäfer, Concentus Musicus Wien | A Minor | 2 | 8A | 152 BPM |