Kurt Weill, Rolf Boysen, Helga Dernesch, René Kollo, Rias-Sinfonietta Berlin, John Mauceri's 'Die Dreigroschenoper: Ballade von der sexuellen Hörigkeit' came out on January 1, 1988. The duration of Die Dreigroschenoper: Ballade von der sexuellen Hörigkeit is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Die Dreigroschenoper: Ballade von der sexuellen Hörigkeit's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: The Threepenny Opera by Kurt Weill, René Kollo, Mario Adorf, Helga Dernesch, Ute Lemper, Milva, Wolfgang Reichmann, Susanne Tremper, Rolf Boysen, Rias-Sinfonietta Berlin, John Mauceri. The song's track number on the album is #14 out of 27 tracks. In terms of popularity, Die Dreigroschenoper: Ballade von der sexuellen Hörigkeit is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Dreigroschenoper: Ballade von der sexuellen Hörigkeit by Kurt Weill, Rolf Boysen, Helga Dernesch, René Kollo, Rias-Sinfonietta Berlin, John Mauceri has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Ballade von der sexuellen Hörigkeit being at 104 テンポ, the half-time would be 52 テンポ with a double-time of 208 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clowns and Kids Suite (arr. F. Strobel): V. Waltz | Alfred Schnittke, Frank Strobel, Berlin Radio Symphony Orchestra | C Minor | 2 | 5A | 112 BPM | ||
Cold Song | Henry Purcell, Mathieu Salama | C Minor | 2 | 5A | 195 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | C Minor | 0 | 5A | 83 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | E Minor | 0 | 9A | 74 BPM | ||
Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | A Minor | 1 | 8A | 101 BPM | ||
Klezmer Dances | Göran Fröst, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | D Minor | 2 | 7A | 90 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") | Kurt Weill, Willy Trenk-Trebitsch, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg | A Minor | 1 | 8A | 72 BPM |