Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg's ' "Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören")" was released on its scheduled release date, 1958. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #1 out of 26 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören") is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören") by Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören") being at 101 テンポ, the half-time would be 50 テンポ with a double-time of 202 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
Presto in C Minor, H.230 Wq.114/3 | Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol Gabetta | D♭ Major | 0 | 3B | 146 BPM | ||
Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Minor | 1 | 7A | 105 BPM | ||
Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B Major | 0 | 1B | 102 BPM | ||
Abdul Majid | Philip Glass, American Composers Orchestra, Dennis Russell Davies | E♭ Minor | 1 | 2A | 120 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM |