"Quartet for the End of Time" by Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock was released on November 15, 2009. The duration of Quartet for the End of Time is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Quartet for the End of Time's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Olivier Messiaen, The Fibonacci Sequence's "Messiaen: Quartet for the End of Time" album is number 1 out of 8. In terms of popularity, Quartet for the End of Time is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quartet for the End of Time by Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Préludes / Book 1, L.117: 2. Voiles | Claude Debussy, Pierre-Laurent Aimard | C Minor | 0 | 5A | 138 BPM | ||
3 Fragmente: I. Magie | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | C Minor | 1 | 5A | 150 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 1. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Bright Music: Dance-Song-Dance | Ned Rorem, The Fibonacci Sequence | D♭ Major | 0 | 3B | 110 BPM |