Kurt Weill, Willy Trenk-Trebitsch, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg made "Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf")" available on 1958. The duration of Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #20 out of 26 tracks. Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") by Kurt Weill, Willy Trenk-Trebitsch, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") being at 72 テンポ, the half-time would be 36 テンポ with a double-time of 144 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Was kann schöner sein auf Erden, als Politiker zu werden | Reinhard Mey | F Major | 6 | 7B | 130 BPM | ||
Die Seeräuber-Jenny | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | D♭ Major | 2 | 3B | 168 BPM | ||
In meiner Badewanne bin ich Kapitan | Otto Berco, Peter Igelhoff, Kleines Ensemble | G Major | 3 | 9B | 92 BPM | ||
Soldaten | Bettina Wegner | C Major | 9 | 8B | 142 BPM | ||
Der alte Sünder | Wolfgang Ambros, Christian Kolonovits, Ambassade Orchester Wien | F Major | 5 | 7B | 171 BPM | ||
Du hast Glück bei den Frau'n Bel Ami | Willi Forst | E♭ Major | 2 | 5B | 78 BPM | ||
Zu leise für mich | Georg Kreisler | C Minor | 1 | 5A | 104 BPM | ||
Spatzen-Polka (Alle Spatzen Von Wien Pfeifen Straussmelodien) | Paul Hörbiger, Hans Moser | F Major | 3 | 7B | 121 BPM | ||
L’opéra de quat'sous, Act II: Duo de la jalousie | Kurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron, Marie Oppert | E Major | 3 | 12B | 115 BPM | ||
Wenn Ich Vergnügt Bin Muß Ich Singen | Die Goldene Sieben, Peter Igelhoff | C Major | 4 | 8B | 134 BPM |