"The Pirates of Penzance: Finale Act One" by Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith was released on November 1, 1991. Since The Pirates of Penzance: Finale Act One is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Pirates of Penzance: Finale Act One is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pirates of Penzance: Finale Act One by Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mackeben: Die Dubarry, Scene 5: "Ich schenk mein Herz nur dem allein" (Jeanne) | Carl Millöcker, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
O Who Shall Say that Love is Cruel? | Edward German, Robin White, Southern Festival Orchestra, Marilyn Hill Smith | D Major | 1 | 10B | 68 BPM | ||
Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Wenn der Freude Tränen fließen - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Les 7 paroles du Christ: 3e Parole - "Mulier, ecce filius tuus" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 2 | 6A | 176 BPM | ||
The Pirates of Penzance: Overture | New D'Oyly Carte Opera Orchestra | G Major | 1 | 9B | 140 BPM | ||
The Mikado: A Wandering Minstrel I | Bonaventura Bottone, Gareth Jones, Malcolm Rivers | E♭ Major | 2 | 5B | 109 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM |