Edward German, Robin White, Southern Festival Orchestra, Marilyn Hill Smith made "O Who Shall Say that Love is Cruel?" available on November 1, 1992. The duration of O Who Shall Say that Love is Cruel? is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. O Who Shall Say that Love is Cruel?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in Edwardian Echoes by Robin White, Southern Festival Orchestra, Marilyn Hill Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. O Who Shall Say that Love is Cruel? is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of O Who Shall Say that Love is Cruel? by Edward German, Robin White, Southern Festival Orchestra, Marilyn Hill Smith is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | A Major | 1 | 11B | 101 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 15, Petit adage | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Serenade for Strings in E Major, B.52: II. Tempo di Valse | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Welsh Rhapsody | Edward German, Iain Sutherland, Iain Sutherland Concert Orchestra | A Major | 3 | 11B | 92 BPM | ||
An English Suite: I. Prelude | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 2 | 9B | 111 BPM | ||
The Dance of the Snowflakes | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | C Major | 0 | 8B | 93 BPM | ||
Studies for the Piano, Op. 65: No. 4 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM |