"Serenade for Strings in E Major, B.52: II. Tempo di Valse" by Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren was released on February 1, 2023. Serenade for Strings in E Major, B.52: II. Tempo di Valse is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Slavic Rhapsody". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. The popularity of Serenade for Strings in E Major, B.52: II. Tempo di Valse is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade for Strings in E Major, B.52: II. Tempo di Valse by Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren having a テンポ of 181 with a half-time of 90 テンポ and a double-time of 362 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia on Themes from Gounod's 'Faust', Op. 20: III. Allegro agitato non troppo | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Minor | 2 | 8A | 98 BPM | ||
Double Concerto for 2 Violins, Op. 49: I. Scherzo: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 88 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel | Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht | E♭ Major | 0 | 5B | 83 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
Symphony No. 1 in G Minor, Op. 7: IV. Allegro con fuoco | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | E Major | 3 | 12B | 130 BPM | ||
スメタナ:連作交響詩 「わが祖国」 3 シャールカ | Czech Philharmonic Chamber Orchestra, Ken-Ichiro Kobayashi | A Major | 2 | 11B | 99 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |